Jack Gladish worked as an engineer, responsible for submarines, dinosaurs, railroad locomotives and much more. Attractions include the “Carousel of Progress,” “Walt Disney’s Enchanted Tiki Room” and much more. During his career he headed the plastics and fiberglass shops at the MAPO department of Walt Disney Imagineering.
:56 How he got his start with Disney in the late ‘50s; Precision camera machinist, including work on the multi-plane camera; Mary Poppins’ robin for “Spoonful of Sugar”
3:06 Audio Animatronics; Abraham Lincoln’s head, including tongue, smile and expressions; Programming the movements;
9:50 The atmosphere at WED; Walt Disney; Walt making money
14:00 Roger Broggie; Troubleshooting at Disneyland; skins for Jungle Cruise animals; problem with zebra stripes
18:02 Railroad locomotives and submarines for the Magic Kingdom in Walt Disney World; how we became stationed permanently in Florida
21:12 World’s Fair; Primeval World; Carousel of Progress
Wally Boag starred in Disneyland’s Golden Horseshoe Revue stage show from 1955 to 1982. During that time, some of his other contributions include appearing in some of Walt Disney’s movies, entertaining the troops in Iceland, performing in a Walt Disney stage show at Radio City Music Hall, writing Walt Disney’s Enchanted Tiki Room attraction and providing the voice of that show’s emcee macaw, Jose.
2:35 His start in showbiz
9:26 Donald Novis; Golden Horseshoe Revue audition for Walt Disney
11:59 Fulton Burley; writing Walt Disney’s Enchanted Tiki Room; under contract with MGM; bring Fulton to the Horseshoe
14:03 History of “spitting out teeth” as Pecos Bill
16:33 More about the Tiki Room and writing for WED (now known as Walt Disney Imagineering); the Tiki Room in Tokyo Disneyland; the barker bird in Disneyland; his involvement in the Haunted Mansion
19:43 Stunt double for Fred MacMurray in the Absent-Minded Professor
Bill is a voice actor, whose most popular character is Goofy, for which he has provided the voice for countless movies, toys Disney theme park stage shows and more.
AUDIO INDEX :44 Bill’s version of Goofy compared to the original, voiced by Pinto Colvig
1:25 Work besides just the animated films, including Disneyland and Disney World live shows, games, toys, etc.
2:00 When Bill began doing the voice of Pluto
2:15 The soundtrack recording process and sessions done solo vs. group ensembles, and the job of the voice director
4:45 Disney’s Character Voices department
6:15 Recording thousands of names for personalized CDs
8:01 The loop group, looping, background voices and other work, including Disney-Pixar Toy Story, Cars, Monster’s, Inc. Hunchback of Notre Dame and Beauty and the Beast as well as other characters such as Bugs Bunny and Daffy Duck.
9:44 Bill’s work on the English-dubbed Japanese TV series Astro Boy, as well as redoing lines for Goofy
11:25 Bill as the original voice of Horace Horsecollar and his inspiration for that character
Valerie Watson was a Disneyland hostess, who had escorted numerous noted personalities, including three presidents, a prime minister, three kings, two queens, three princes and four princesses. To begin this conversation from 2010, I asked Valerie about her reign as the first “Miss Disneyland,” in 1962.
Valerie Watson: How that happened is I joined Disney in 1959, because I took a break from college to rethink my major. I took guided tours and then I had the good fortune to be selected to greet King Hussein of Jordan on his visit, April, 1959, for no special talent other than my height. I was 5’3 ½” and it was protocol that somebody should greet him that could look him in the eye – not overpower him. So that began a real wonderful career for me that lasted thirteen years.
After greeting King Hussein, I was made a VIP hostess along with a very good friend of mine, Donna Clark. She and I were in Guest Relations together. We were assigned to take the king and queen of Thailand through Disneyland, we were the hostesses, but always the U.S. State Department representatives were with us, and we were given protocol instructions before royalty arrived. And the crown prince and princess of Japan, and Thailand, and the three heirs to the throne of Scandinavian countries.
Among the VIPs that I took on tour was a man named Russell Downing and his wife Sally, and I spent two days with them, showing them every part of Disneyland. I had no idea why they were there, but he was president of Radio City Music Hall in New York and he was on a confidential visit to meet with Walt Disney on how best to market a new film that was going to be released, called “Moon Pilot.” They wanted to release it at Radio City Music Hall, and in the east coast there was no real familiarity with Pluto and Mickey and Donald Duck and so forth, the “live” characters, so a stage production was in the works to launch Disney in the east, this was long before Walt Disney World.
They decided, “How can we get the interest of the press in New York?” who was considered very jaded, having seen everything, so they came up with a tag of “Miss Disneyland.” They weren’t looking for a beauty queen. They were looking for someone who had knowledge of the organization and enthusiasm, and Russell Downing proposed by name, so he gave that idea to Walt Disney. It was quite a Cinderella story.
I worked for Disney in three different states. First of all California, then the New York World’s Fair, and then of all my jobs with Disney, my very favorite was working with WED Enterprises (now known as Walt Disney Imagineering.) The best was at WED, I worked for the master planners of Walt Disney World and it was all secret. It was called Project X. At that time, at WED, under one roof were animators, sculptors, painters, model makers, the most incredible assembly of creative people you can imagine, and I worked there for three years.
It broke my heart to be promoted and sent to Florida. I didn’t even want to go. It was a great opportunity to start the Guest Relations department at Walt Disney World, but my heart was really always at WED.